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| Agrigento Ephebe |
by Catherine Schofield Sezgin, ARCA blog editor
Part two of three
In the 1984 book, The Caravaggio Conspiracy, published by British journalist Peter Watson, Rodolfo Siviero is described as a the leading detective of stolen art in Italy.
Before Caravaggio's Nativity was stolen in 1969, Siviero had been working to recover art misplaced since World War II. Siviero was 'an undercover agent in German-occupied Italy', Watson reported, and was 'head of the Italian Secret Service attached to the Allied Command.' Part of his job was to oversee the protection of works of art, Watson explained. When Siviero became the first Italian ambassador to Germany after the war, he used wartime records to look for paintings looted by the Nazis from the Uffizi, Watson wrote, and listed works Siviero helped to recover: Bronzino's Deposition of Christ, Antonio Pollaiuolo's Labors of Hercules; Domenico Feti's Parable of the Vine; a self-portrait by Lorenzo di Credi, a Nativity by a pupil of Correggio; Botticelli's Primavera and Paolo Uccello's The Battle of San Remo.
When Siviero returned to Italy, he was put in charge of the Delegation for the Recovery of Missing Works of Art (Watson). He recovered works of art not related to war looting. Watson wrote that Siviero recovered a fifth century B.C. bronze statue known of a boy known as the Ephebus from the Mafia in a sting operation. Siviero posed as the "nephew" of a Florentine art gallery that would purchase objects without asking questions about ownership. The bronze was recovered, Watson wrote, and six men arrested shortly before Caravaggio's Nativity was stolen. "It was the Mafia's way of exacting revenge. And this time, it was whispered, Siviero would not see the stolen work of art again. Ever." (Watson)
This article concludes on May 18.
|
| Agrigento Ephebe |
by Catherine Schofield Sezgin, ARCA blog editor
Part two of three
In the 1984 book, The Caravaggio Conspiracy, published by British journalist Peter Watson, Rodolfo Siviero is described as a the leading detective of stolen art in Italy.
Before Caravaggio's Nativity was stolen in 1969, Siviero had been working to recover art misplaced since World War II. Siviero was 'an undercover agent in German-occupied Italy', Watson reported, and was 'head of the Italian Secret Service attached to the Allied Command.' Part of his job was to oversee the protection of works of art, Watson explained. When Siviero became the first Italian ambassador to Germany after the war, he used wartime records to look for paintings looted by the Nazis from the Uffizi, Watson wrote, and listed works Siviero helped to recover: Bronzino's Deposition of Christ, Antonio Pollaiuolo's Labors of Hercules; Domenico Feti's Parable of the Vine; a self-portrait by Lorenzo di Credi, a Nativity by a pupil of Correggio; Botticelli's Primavera and Paolo Uccello's The Battle of San Remo.
When Siviero returned to Italy, he was put in charge of the Delegation for the Recovery of Missing Works of Art (Watson). He recovered works of art not related to war looting. Watson wrote that Siviero recovered a fifth century B.C. bronze statue known of a boy known as the Ephebus from the Mafia in a sting operation. Siviero posed as the "nephew" of a Florentine art gallery that would purchase objects without asking questions about ownership. The bronze was recovered, Watson wrote, and six men arrested shortly before Caravaggio's Nativity was stolen. "It was the Mafia's way of exacting revenge. And this time, it was whispered, Siviero would not see the stolen work of art again. Ever." (Watson)
This article concludes on May 18.
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