Postcard from Istanbul: Sultanahmet Archaeology Park (Sultanahmet Arkeolojik Parki)

Sign for Sultanahmet Archaeology Park

by Catherine Schofield Sezgin, ARCA Blog Editor

Across from the Haghia Sophia Museum and the Mausoleums of the Sultans is the Sultanahmet Archaeology Park, a fenced off area under excavation and part of the overall plan to preserve Istanbul's historical area as a World Heritage Site. In case you're curious (as I was) and can't walk over to the sign yourself (as I did), here's what the sign says and this is what you will see if you peer behind the fence:

"The lot is situated in one of the oldest and most renowned settlements of Istanbul. The perimeter of the area is closed off due to security reasons. 

"There is little information available on the city’s geographical position during Antiquity. However, it is known that the city entered PERSIAN rule in 512 BC, become part of ROME in 146 BC, and was eventually declared as the second capital of the Roman Empire by Constantine I in 330.

'The lot included the initial structures of the GREAT PALACE (Palatium Magnum), whose construction began during the reign of Constantine I. Between the 4^th and 11^th centuries, the palace continued to expand, spreading across nearly 100,000 square meters. It was burnt down, demolished and ransacked during the LATIN INVASION (1202-1261).

"Following the Ottoman conquest of the city, various wooden dwellings were constructed on the lot and its environs. The largest structure built upon the property during the Ottoman period was the Darülfünun (University) building.

"Commissioned by Sultan Abdülmecit in 1846, Darülfünun was designed and built by Swiss architects Gaspare and Guiseppe Fossati.

Excavation site (Sultanhamet)

"The Building was completed in 1863 and was later used as a hospital for French soldiers during the Crimean War in 1877, it was reopened as MECLIS-I MEBUSAN (Ottoman Parliament). In the ensuing years, it was allocated to the Ministeries of Treasury, Mortmain Estates and Justice, was eventually converted into ADLIYE SARAYI (Palace of Justice). 

"The entire building burned down in December 1933. Initiated in 1997 by the Istanbul Directorate of Archaeology, ARCHAEOLOGICAL EXCAVATIONS are currently in progress on the 17,000 square-meter lot.

"In the course of excavations, apart from remains of ROMAN, BYZANTINE and OTTOMAN structures, MOVABLE CULTURAL ASSETS such as the BYZANTINE BATH RUINS are cleaned, reinforced and reconstructed in part, to be preserved in situ. These cultural and historic assets are also protected against natural hazards.

"Apart from the works in progress with respect to the site’s function as an Archaeological Park and Museum, a Hotel Annex construction is presently underway in the area. The project of the Hotel Annex has been approved by the Istanbul NATURAL ASSET and CULTURAL HERITAGE BOARD. "

Sign for Sultanahmet Archaeology Park

by Catherine Schofield Sezgin, ARCA Blog Editor

Across from the Haghia Sophia Museum and the Mausoleums of the Sultans is the Sultanahmet Archaeology Park, a fenced off area under excavation and part of the overall plan to preserve Istanbul's historical area as a World Heritage Site. In case you're curious (as I was) and can't walk over to the sign yourself (as I did), here's what the sign says and this is what you will see if you peer behind the fence:

"The lot is situated in one of the oldest and most renowned settlements of Istanbul. The perimeter of the area is closed off due to security reasons. 

"There is little information available on the city’s geographical position during Antiquity. However, it is known that the city entered PERSIAN rule in 512 BC, become part of ROME in 146 BC, and was eventually declared as the second capital of the Roman Empire by Constantine I in 330.

'The lot included the initial structures of the GREAT PALACE (Palatium Magnum), whose construction began during the reign of Constantine I. Between the 4^th and 11^th centuries, the palace continued to expand, spreading across nearly 100,000 square meters. It was burnt down, demolished and ransacked during the LATIN INVASION (1202-1261).

"Following the Ottoman conquest of the city, various wooden dwellings were constructed on the lot and its environs. The largest structure built upon the property during the Ottoman period was the Darülfünun (University) building.

"Commissioned by Sultan Abdülmecit in 1846, Darülfünun was designed and built by Swiss architects Gaspare and Guiseppe Fossati.

Excavation site (Sultanhamet)

"The Building was completed in 1863 and was later used as a hospital for French soldiers during the Crimean War in 1877, it was reopened as MECLIS-I MEBUSAN (Ottoman Parliament). In the ensuing years, it was allocated to the Ministeries of Treasury, Mortmain Estates and Justice, was eventually converted into ADLIYE SARAYI (Palace of Justice). 

"The entire building burned down in December 1933. Initiated in 1997 by the Istanbul Directorate of Archaeology, ARCHAEOLOGICAL EXCAVATIONS are currently in progress on the 17,000 square-meter lot.

"In the course of excavations, apart from remains of ROMAN, BYZANTINE and OTTOMAN structures, MOVABLE CULTURAL ASSETS such as the BYZANTINE BATH RUINS are cleaned, reinforced and reconstructed in part, to be preserved in situ. These cultural and historic assets are also protected against natural hazards.

"Apart from the works in progress with respect to the site’s function as an Archaeological Park and Museum, a Hotel Annex construction is presently underway in the area. The project of the Hotel Annex has been approved by the Istanbul NATURAL ASSET and CULTURAL HERITAGE BOARD. "

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Northern Israeli archaeological site unveils granite fragment of Egyptian sphinx -- ancient plunder or gift?

Archaeologist Shlomit Blecher discovered part of a granite Egyptian sphynx in Israel in August 2012, raising the question of plunder or gift?

Dr. Blecher, who manages the The Selz Foundation Hazor Excavations in Memory of Yigael Yadin, works at Tel Hazor, the ancient Canaanite and Israelite city located in modern Northern Israel.

Here's a YouTube Video from the AFP news agency showing the site and the size of the fragment in comparison to the person holding the granite claws, forearms and hieroglyphics.

Its discovery also marks the first time ever that researchers have found a statue dedicated to Egyptian ruler Mycerinus who ruled circa 2,500 BC and was builder of one of the three Giza pyramids, an expert said.

How did this object travel north? The AFP offers options:

How, when and why it reached Tel Hazor remains a mystery.
"That it arrived in the days of Mycerinus himself is unlikely, since there were absolutely no relations between Egypt and this part of the world then," said Ben-Tor.
"Egypt maintained relations with Lebanon, especially via the ancient port of Byblos, to import cedar wood via the Mediterranean, so they skipped" today's northern Israel, he said.
Another option is that the statue was part of the plunders of the Canaanites, who in the late 17th and early 16th century BC ruled lower Egypt, the expert said.
"Egyptian records tell us that those foreign rulers... plundered and desecrated the local temples and did all kinds of terrible things, and it is possible that some of this looting included a statue like this one".
But to Ben-Tor the most likely way the sphinx reached Tel Hazor is in the form of a gift sent by a later Egyptian ruler.
"The third option is that it arrived in Hazor some time after the New Kingdom started in 1,550 BC, during which Egypt ruled Canaan, and maintained close relations with the local rulers, who were left on their thrones," he said.
"In such a case it's possible the statue was sent by the Egyptian ruler to king of Hazor, the most important ruler in this region." 

Archaeologist Shlomit Blecher discovered part of a granite Egyptian sphynx in Israel in August 2012, raising the question of plunder or gift?

Dr. Blecher, who manages the The Selz Foundation Hazor Excavations in Memory of Yigael Yadin, works at Tel Hazor, the ancient Canaanite and Israelite city located in modern Northern Israel.

Here's a YouTube Video from the AFP news agency showing the site and the size of the fragment in comparison to the person holding the granite claws, forearms and hieroglyphics.

Its discovery also marks the first time ever that researchers have found a statue dedicated to Egyptian ruler Mycerinus who ruled circa 2,500 BC and was builder of one of the three Giza pyramids, an expert said.

How did this object travel north? The AFP offers options:

How, when and why it reached Tel Hazor remains a mystery.
"That it arrived in the days of Mycerinus himself is unlikely, since there were absolutely no relations between Egypt and this part of the world then," said Ben-Tor.
"Egypt maintained relations with Lebanon, especially via the ancient port of Byblos, to import cedar wood via the Mediterranean, so they skipped" today's northern Israel, he said.
Another option is that the statue was part of the plunders of the Canaanites, who in the late 17th and early 16th century BC ruled lower Egypt, the expert said.
"Egyptian records tell us that those foreign rulers... plundered and desecrated the local temples and did all kinds of terrible things, and it is possible that some of this looting included a statue like this one".
But to Ben-Tor the most likely way the sphinx reached Tel Hazor is in the form of a gift sent by a later Egyptian ruler.
"The third option is that it arrived in Hazor some time after the New Kingdom started in 1,550 BC, during which Egypt ruled Canaan, and maintained close relations with the local rulers, who were left on their thrones," he said.
"In such a case it's possible the statue was sent by the Egyptian ruler to king of Hazor, the most important ruler in this region." 

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Lecture booked at the Getty Villa tonight: "Saving Herculaneum: The Challenges of Archaeological Conservation"

As of noon today, all seats are taken for the free lecture at the Getty Villa tonight: Herculaneum Conservation Project director Andrew Wallace-Hadrill will speak of the archaeological work at the ancient sister city of Pompeii.

From 1995 to 2009 [Andrew Wallace-Hadrill] served as director of the British School at Rome and is currently director of research of the faculty of Classics at the University of Cambridge. An expert on the archaeology of the Vesuvian cities, he was awarded the Archaeological Institute of America's James R. Wiseman Award in 1995 for his book Houses and Society in Pompeii and Herculaneum (1994). He has written several other books, including Rome's Cultural Revolution (2008), Augustan Rome (1993), Suetonius: The Scholar and His Caesars (1985), and most recently Herculaneum: Past and Future (2011). He has held visiting fellowships at Princeton University and the J. Paul Getty Museum, and is a frequent contributor to radio and television broadcasts. 

The Herculaneum Conservation Project is funded by The Packard Humanities Institute which also supports conservation efforts of the removal of the mosaics from the ancient Roman town of Zeugma in eastern Turkey before the area was flooded for a dam.

As of noon today, all seats are taken for the free lecture at the Getty Villa tonight: Herculaneum Conservation Project director Andrew Wallace-Hadrill will speak of the archaeological work at the ancient sister city of Pompeii.

From 1995 to 2009 [Andrew Wallace-Hadrill] served as director of the British School at Rome and is currently director of research of the faculty of Classics at the University of Cambridge. An expert on the archaeology of the Vesuvian cities, he was awarded the Archaeological Institute of America's James R. Wiseman Award in 1995 for his book Houses and Society in Pompeii and Herculaneum (1994). He has written several other books, including Rome's Cultural Revolution (2008), Augustan Rome (1993), Suetonius: The Scholar and His Caesars (1985), and most recently Herculaneum: Past and Future (2011). He has held visiting fellowships at Princeton University and the J. Paul Getty Museum, and is a frequent contributor to radio and television broadcasts. 

The Herculaneum Conservation Project is funded by The Packard Humanities Institute which also supports conservation efforts of the removal of the mosaics from the ancient Roman town of Zeugma in eastern Turkey before the area was flooded for a dam.

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How Playing Cards Protect Archaeological Sites in Combat Zones

This summer 'Voice of America' reporter Nancy Greenleese discussed with ARCA's Writer in Residence Laurie Rush ("It's all in the cards Inside Europe") how the military uses images on the back of playing cards to protect archaeological sites located in combat zones. Here's a link to the radio broadcast and here's a link to the printed interview.

This summer 'Voice of America' reporter Nancy Greenleese discussed with ARCA's Writer in Residence Laurie Rush ("It's all in the cards Inside Europe") how the military uses images on the back of playing cards to protect archaeological sites located in combat zones. Here's a link to the radio broadcast and here's a link to the printed interview.

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The New York Times' Randy Kennedy Reports on how austerity measures in Greece is affecting state archaeologists and the country's heritage

Minoan Marine Style Pottery/NMAA

by Catherine Sezgin, ARCA Blog Editor-in-Chief

Turkish journalist Özgen Açar sent out a link to June 11 article in the New York Times, "Archaeologists Say Greece Threatened by Austerity".  When the man who tracked down the stolen Lydian Hoard from Turkey to New York City sends out an email, I pay attention, very close attention.

Açar is pointing out an article written by Randy Kennedy that shows how more than a 10% reduction in Greece's state archaeologists is limiting access to artifacts in museums and reducing the country's ability to protect its cultural heritage.  The Association for Greek Archaeologists has created a television commercial to create public awareness.

In Kennedy's article, Minoan vases are being washed away and bulldozers are paving roads to ancient sites while fewer archaeologists can respond to the problems of securing Greece's culture and history.

The Artemision Bronze/NMAA

Many schoolchildren must be disappointed to have access limited to the symbols of Greek mythology as bestselling books such as those by Rick Riordan have reignited popular reading about the gods and the humans who interact with them. Aren't we trying to encourage the younger generation to take an interest in cultural institutions? My 12-year-old daughter volunteered to spend the day at Istanbul's Archaeology Museum and walked through all the exhibits looking for Greek and Roman gods -- only to find out that that section was closed for renovation last winter.

YouTube has a 14-minute video which is a walking tour through the National Archaeology Museum of Athens, including a view of the impressive 2,500 year old Artemision Bronze.

What happens when a source country of ancient objects cannot protect its patrimony and needs funds? What would you do living and working in a country with 21% unemployment? You might not loot antiquities but would someone more desperate with family obligations or someone less scrupulous be able to resist the temptation of taking one of the many pieces that just lie underneath the dirt?

Minoan Marine Style Pottery/NMAA

by Catherine Sezgin, ARCA Blog Editor-in-Chief

Turkish journalist Özgen Açar sent out a link to June 11 article in the New York Times, "Archaeologists Say Greece Threatened by Austerity".  When the man who tracked down the stolen Lydian Hoard from Turkey to New York City sends out an email, I pay attention, very close attention.

Açar is pointing out an article written by Randy Kennedy that shows how more than a 10% reduction in Greece's state archaeologists is limiting access to artifacts in museums and reducing the country's ability to protect its cultural heritage.  The Association for Greek Archaeologists has created a television commercial to create public awareness.

In Kennedy's article, Minoan vases are being washed away and bulldozers are paving roads to ancient sites while fewer archaeologists can respond to the problems of securing Greece's culture and history.

The Artemision Bronze/NMAA

Many schoolchildren must be disappointed to have access limited to the symbols of Greek mythology as bestselling books such as those by Rick Riordan have reignited popular reading about the gods and the humans who interact with them. Aren't we trying to encourage the younger generation to take an interest in cultural institutions? My 12-year-old daughter volunteered to spend the day at Istanbul's Archaeology Museum and walked through all the exhibits looking for Greek and Roman gods -- only to find out that that section was closed for renovation last winter.

YouTube has a 14-minute video which is a walking tour through the National Archaeology Museum of Athens, including a view of the impressive 2,500 year old Artemision Bronze.

What happens when a source country of ancient objects cannot protect its patrimony and needs funds? What would you do living and working in a country with 21% unemployment? You might not loot antiquities but would someone more desperate with family obligations or someone less scrupulous be able to resist the temptation of taking one of the many pieces that just lie underneath the dirt?

reade more... Résuméabuiyad