In Bangor with Howie Carr: ARCA Trustee Anthony Amore Speaks About Art Crime

ARCA Trustee Anthony Amore, Director of Security at the Isabella Stewart Gardner Museum, joined syndicated talk show host and Boston Herald columnist Howie Carr in "An Evening of Crime" Friday night at Spectacular Event Center in Bangor (Dawn Gagnon, "Howie Carr sold-out Bangor show talks 'Whitey' Bulger, art thieves'", Bangor Daily News, August 17):

For the past seven years, Amore has also served as the museum’s chief investigator into the 1990 theft of 13 priceless works of art from the museum. 

Author of “Stealing Rembrandts: The Untold Stories of Notorious Art Heists” with investigative reporter Tom Mashberg, Amore discussed some of the most infamous art heists of the 20th century, involving works valued $1 billion in total. 

Chief among the heists involved one at the at the Isabella Stewart Gardner Museum, which alone resulted in the loss of $500 million worth in paintings, etching and other works that have yet to be recovered. 

In that case, two men posing as Boston police officers were buzzed into the museum on March 18, 1990, after saying they were responding to a disturbance. They handcuffed the two night guards who were on duty and took them into the basement, where they were secured to pipes and their hands, feet and heads were duct taped. 

Amore described how the thieves made off with priceless works like Rembrandt’s Storm on the Sea of Galilee, A Lady and Gentleman in Black and a Self Portrait, Vermeer’s The Concert and Edouard Manet’s Chez Tortoni, according to the museum’s website. 

Not all art thieves, however, were so clever. Amore also regaled the audience with stories of robbers with more bravado than brains — among them Myles Connor, a notorious Boston art thief who unwittingly tried to sell works by Andrew Wyeth and NC Wyeth to an undercover FBI agent. He and several accomplices stole the paintings — along with several other famous paintings — from the Woolworth Estate in Monmouth, Maine, in the early 1970s. 

“When you steal these highly recognizable paintings, there’s no market for them. There’s no one out there who’s going to buy a painting that everyone knows is stolen. Especially when, even if you’re paying pennies on the dollar, you’re paying millions of dollars. It doesn’t take a genius to figure out that people don’t spend lots of money on things they can never show anyone. 

“Myles found that out, he couldn’t find a buyer for these Wyeth paintings,” Amore said. “He looked and looked and looked and couldn’t find one. Then all of a sudden, he gets lucky and he comes across a guy named Bernie Murphy who wants to buy these paintings from him.” 

Murphy arranged to meet Connor in the parking lot of a Cape Cod IGA store to discuss a deal. 

“Myles is elated,” Amore said. “They go, they park next to each other, Myles opens his trunk and shows him the Wyeth paintings.” Unfortunately for Connor, the supposed buyer reaches into his pocket and pulls out his FBI badge.

ARCA Trustee Anthony Amore, Director of Security at the Isabella Stewart Gardner Museum, joined syndicated talk show host and Boston Herald columnist Howie Carr in "An Evening of Crime" Friday night at Spectacular Event Center in Bangor (Dawn Gagnon, "Howie Carr sold-out Bangor show talks 'Whitey' Bulger, art thieves'", Bangor Daily News, August 17):

For the past seven years, Amore has also served as the museum’s chief investigator into the 1990 theft of 13 priceless works of art from the museum. 

Author of “Stealing Rembrandts: The Untold Stories of Notorious Art Heists” with investigative reporter Tom Mashberg, Amore discussed some of the most infamous art heists of the 20th century, involving works valued $1 billion in total. 

Chief among the heists involved one at the at the Isabella Stewart Gardner Museum, which alone resulted in the loss of $500 million worth in paintings, etching and other works that have yet to be recovered. 

In that case, two men posing as Boston police officers were buzzed into the museum on March 18, 1990, after saying they were responding to a disturbance. They handcuffed the two night guards who were on duty and took them into the basement, where they were secured to pipes and their hands, feet and heads were duct taped. 

Amore described how the thieves made off with priceless works like Rembrandt’s Storm on the Sea of Galilee, A Lady and Gentleman in Black and a Self Portrait, Vermeer’s The Concert and Edouard Manet’s Chez Tortoni, according to the museum’s website. 

Not all art thieves, however, were so clever. Amore also regaled the audience with stories of robbers with more bravado than brains — among them Myles Connor, a notorious Boston art thief who unwittingly tried to sell works by Andrew Wyeth and NC Wyeth to an undercover FBI agent. He and several accomplices stole the paintings — along with several other famous paintings — from the Woolworth Estate in Monmouth, Maine, in the early 1970s. 

“When you steal these highly recognizable paintings, there’s no market for them. There’s no one out there who’s going to buy a painting that everyone knows is stolen. Especially when, even if you’re paying pennies on the dollar, you’re paying millions of dollars. It doesn’t take a genius to figure out that people don’t spend lots of money on things they can never show anyone. 

“Myles found that out, he couldn’t find a buyer for these Wyeth paintings,” Amore said. “He looked and looked and looked and couldn’t find one. Then all of a sudden, he gets lucky and he comes across a guy named Bernie Murphy who wants to buy these paintings from him.” 

Murphy arranged to meet Connor in the parking lot of a Cape Cod IGA store to discuss a deal. 

“Myles is elated,” Amore said. “They go, they park next to each other, Myles opens his trunk and shows him the Wyeth paintings.” Unfortunately for Connor, the supposed buyer reaches into his pocket and pulls out his FBI badge.

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The Gardner Heist: Journalist Tom Mashberg Weighs In

The FBI's press conference on the 23rd anniversary of the Gardner theft "was a hit, generating flashing Internet bulletins and global media coverage," wrote Tom Mashberg March 25 in "The Gardner Art Heist: The Thieves Who Couldn't Steal Straight" for Cognoscenti, Boston's NPR Radio Station.

Mashberg has covered the Isabella Stewart Gardner Museum case for 16 years. Of the FBI's press conference on March 18, 2013, Mashberg writes:

Since crowd-sourcing was the goal, the FBI should be pleased. But we didn't really learn anything new beyond the assertion that some of the stolen paintings made their way to Philadelphia a decade ago. I was invited to speak with investigators alone for a few minutes after the news conference. They are dedicated men to be sure, and they were candid: they told me that for now the train has "gone cold."

 It was attention grabbing to hear them say they know the identities of the thieves. (Keeping the names secret is wise from an investigative standpoint -- imagine the media swarm.) But any careful follower of the case can boil the list of likely robbers down to three men -- all Boston-area felons. My belief is that two of the thieves are dead, and the third is in prison. The dead men will tell no tales, but there is still a chance to squeeze the guy behind bars.

In this article, Mashberg proposes that the bank robber Robert F. Guarante (who died in 2004) took the art from the two original thieves who didn't know what to do with it.

A lot of these characters, chief among them a gangster named Carmello Merlino, also deceased, can be heard yapping on wiretaps about their plans to return the art for the $5 million reward money -- if only they could find it. It's the gang that couldn't steal straight.

Mashberg also proposes that it was Robert A. Donati (dead) who cased the Gardner Museum in the 1980s with art thief Myles J. Connor (in prison on the night of the Gardner Heist) who stole the fluted Chinese bronze beaker that night as a gift for Connor.

Mashberg, who co-write "Stealing Rembrandts" (2011) with Anthony M. Amore, states that "the crime was always a local job."

The FBI's press conference on the 23rd anniversary of the Gardner theft "was a hit, generating flashing Internet bulletins and global media coverage," wrote Tom Mashberg March 25 in "The Gardner Art Heist: The Thieves Who Couldn't Steal Straight" for Cognoscenti, Boston's NPR Radio Station.

Mashberg has covered the Isabella Stewart Gardner Museum case for 16 years. Of the FBI's press conference on March 18, 2013, Mashberg writes:

Since crowd-sourcing was the goal, the FBI should be pleased. But we didn't really learn anything new beyond the assertion that some of the stolen paintings made their way to Philadelphia a decade ago. I was invited to speak with investigators alone for a few minutes after the news conference. They are dedicated men to be sure, and they were candid: they told me that for now the train has "gone cold."

 It was attention grabbing to hear them say they know the identities of the thieves. (Keeping the names secret is wise from an investigative standpoint -- imagine the media swarm.) But any careful follower of the case can boil the list of likely robbers down to three men -- all Boston-area felons. My belief is that two of the thieves are dead, and the third is in prison. The dead men will tell no tales, but there is still a chance to squeeze the guy behind bars.

In this article, Mashberg proposes that the bank robber Robert F. Guarante (who died in 2004) took the art from the two original thieves who didn't know what to do with it.

A lot of these characters, chief among them a gangster named Carmello Merlino, also deceased, can be heard yapping on wiretaps about their plans to return the art for the $5 million reward money -- if only they could find it. It's the gang that couldn't steal straight.

Mashberg also proposes that it was Robert A. Donati (dead) who cased the Gardner Museum in the 1980s with art thief Myles J. Connor (in prison on the night of the Gardner Heist) who stole the fluted Chinese bronze beaker that night as a gift for Connor.

Mashberg, who co-write "Stealing Rembrandts" (2011) with Anthony M. Amore, states that "the crime was always a local job."

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Novi Sad City Museum welcomes home "The old man with the fur cap" -- but did Serbian police recover a Rembrandt painting?

The Novi Sad City Museum welcomes home
"The old man with the fur cap"

This week did Serbian police recover a painting by Rembrandt or a known fake?

The Portrait of the Father stolen from the Novi Sad City Museum in 2006 has been deemed a fake Rembrandt, according to ARCA Trustee Anthony Amore and Tom Mashberg, authors of "Stealing Rembrandts" (Palgrave MacMillan, 2011).

An appendix in "Stealing Rembrandts" includes Portrait of Rembrandt's Father as one of more than 80 "Rembrandt" artworks stolen in the past century (excludes works looted by the Nazis during WW II).

According to CODART, the specialists in Dutch and Flemish art in museums worldwide, the painting is likely a copy of a Rembrandt painting at Tyrolean State Museum in Austria: Old Man with Fur Cap, 1630.

The Novi Sad "Rembrandt" oil painting was recovered 60 kilometers (40 miles) south of Novi Sad (BBC) and more than four people have been arrested in connection with the robbery.

According to Nicholas Wood in The New York Times ("Rubens and Rembrandt, a Day's Loot for Balkan Gangs" February 19, 2006), two masked men carrying a pistol robbed the Navi Sad City Museum on January 8, 2006:

In just 15 minutes, they tied up an unarmed night watchman and a museum guide and, standing on antique furniture, lifted the paintings off the walls. One of the four works taken in the January theft was attributed to Rubens, another to Rembrandt.

The thieves then 'walked out the front door ... loaded their haul into a parked car and drove away, confident that the police had not been informed' because the museum did not have an alarm system. After years of war and a struggling economy, the city had scheduled a $50,000 alarm system to be installed on January 15 (the thieves struck one week early). The stolen paintings came from the collection of Branko Illic, a doctor. [Woods, NYT]

On March 13, the Novi Sad City Museum welcomed home "Old man in a fur cap"; three paintings remain missing: 

Unknown Flemish painter,
 Life Head of Christ, oil on panel

Rubens's studio,
the first half of the 17th century,
 bust of Seneca oil on board

Pier Francesco Mola (1612-1666)
Night landscape with fishermen, oil on canvas

The Novi Sad City Museum welcomes home
"The old man with the fur cap"

This week did Serbian police recover a painting by Rembrandt or a known fake?

The Portrait of the Father stolen from the Novi Sad City Museum in 2006 has been deemed a fake Rembrandt, according to ARCA Trustee Anthony Amore and Tom Mashberg, authors of "Stealing Rembrandts" (Palgrave MacMillan, 2011).

An appendix in "Stealing Rembrandts" includes Portrait of Rembrandt's Father as one of more than 80 "Rembrandt" artworks stolen in the past century (excludes works looted by the Nazis during WW II).

According to CODART, the specialists in Dutch and Flemish art in museums worldwide, the painting is likely a copy of a Rembrandt painting at Tyrolean State Museum in Austria: Old Man with Fur Cap, 1630.

The Novi Sad "Rembrandt" oil painting was recovered 60 kilometers (40 miles) south of Novi Sad (BBC) and more than four people have been arrested in connection with the robbery.

According to Nicholas Wood in The New York Times ("Rubens and Rembrandt, a Day's Loot for Balkan Gangs" February 19, 2006), two masked men carrying a pistol robbed the Navi Sad City Museum on January 8, 2006:

In just 15 minutes, they tied up an unarmed night watchman and a museum guide and, standing on antique furniture, lifted the paintings off the walls. One of the four works taken in the January theft was attributed to Rubens, another to Rembrandt.

The thieves then 'walked out the front door ... loaded their haul into a parked car and drove away, confident that the police had not been informed' because the museum did not have an alarm system. After years of war and a struggling economy, the city had scheduled a $50,000 alarm system to be installed on January 15 (the thieves struck one week early). The stolen paintings came from the collection of Branko Illic, a doctor. [Woods, NYT]

On March 13, the Novi Sad City Museum welcomed home "Old man in a fur cap"; three paintings remain missing: 

Unknown Flemish painter,
 Life Head of Christ, oil on panel

Rubens's studio,
the first half of the 17th century,
 bust of Seneca oil on board

Pier Francesco Mola (1612-1666)
Night landscape with fishermen, oil on canvas

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"Stealing Rembrandts: the Untold Stories of Notorious Art Heists" Reviewed in the Spring/Summer 2012 issue of The Journal of Art Crime

Stuart George reviews "Stealing Rembrandts: The Untold Stories of Notorious Art Heists" (Palgrave Macmillan, 2011) by Anthony M. Amore and Tom Mashberg in the Spring/Summer 2012 issue of The Journal of Art Crime. Mr. George is an award-winning writer, consultant and specialist in wine. Mr. Amore is the security director for The Isabella Stewart Gardner Museum. Mr. Mashberg is a Boston-based investigative journalist.

Although over the last two decades or so other artists have overwhelmed his once vaunted prices, Rembrandt remains an iconic figure. Certainly, he is well known to thieves who were unable to resist gunning for works stored in galleries with negligible defense against robbery. Rembrandt’s 1632 portrait of Jacob de Gheyn III has the dubious honor of being the “most oft-stolen painting in the world”. As an International Herald Tribune headline once declared (with uncharacteristic wit), “Rembrandt Needed a Night Watchman.”

Authors Amore and Mashberg — the former the head of security at the Isabella Stewart Gardner Museum and the latter an award-wining investigative reporter — explain how media hype of record prices can attract the attention of thieves. They cite the Goldschmidt sale at Sotheby’s in 1958 as the “triggering event” for high art prices that led to criminal interest in art. Three years later Rembrandt’s Aristotle Contemplating the Bust of Homer became, at $2.3 million, the then most expensive painting ever sold. Doubtless, potential raiders noticed this.

Stuart George reviews "Stealing Rembrandts: The Untold Stories of Notorious Art Heists" (Palgrave Macmillan, 2011) by Anthony M. Amore and Tom Mashberg in the Spring/Summer 2012 issue of The Journal of Art Crime. Mr. George is an award-winning writer, consultant and specialist in wine. Mr. Amore is the security director for The Isabella Stewart Gardner Museum. Mr. Mashberg is a Boston-based investigative journalist.

Although over the last two decades or so other artists have overwhelmed his once vaunted prices, Rembrandt remains an iconic figure. Certainly, he is well known to thieves who were unable to resist gunning for works stored in galleries with negligible defense against robbery. Rembrandt’s 1632 portrait of Jacob de Gheyn III has the dubious honor of being the “most oft-stolen painting in the world”. As an International Herald Tribune headline once declared (with uncharacteristic wit), “Rembrandt Needed a Night Watchman.”

Authors Amore and Mashberg — the former the head of security at the Isabella Stewart Gardner Museum and the latter an award-wining investigative reporter — explain how media hype of record prices can attract the attention of thieves. They cite the Goldschmidt sale at Sotheby’s in 1958 as the “triggering event” for high art prices that led to criminal interest in art. Three years later Rembrandt’s Aristotle Contemplating the Bust of Homer became, at $2.3 million, the then most expensive painting ever sold. Doubtless, potential raiders noticed this.

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Anthony Amore Discussing "Stealing Rembrandts" on "It's a Crime" Saturday afternoon on the radio

Anthony Amore, Security Director of the Isabella Stewart Gardner Museum and co-author of "Stealing Rembrandts: The Untold Stories of Notorious Art Heists", will be on "It's a Crime" on Saturday, June 30, at 1:00 p.m. The live radio show is hosted by Margaret McLean, an attorney and author of the legal thriller Under Fire (2011, Tor Forge McMillan). Here's a link to the program. "Stealing Rembrandts", written by Amore and journalist Tom Mashberg, will be released in paperback on July 3.

Anthony Amore, Security Director of the Isabella Stewart Gardner Museum and co-author of "Stealing Rembrandts: The Untold Stories of Notorious Art Heists", will be on "It's a Crime" on Saturday, June 30, at 1:00 p.m. The live radio show is hosted by Margaret McLean, an attorney and author of the legal thriller Under Fire (2011, Tor Forge McMillan). Here's a link to the program. "Stealing Rembrandts", written by Amore and journalist Tom Mashberg, will be released in paperback on July 3.

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