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Showing posts with label Archaeology. Show all posts
Showing posts with label Archaeology. Show all posts

Christos Tsirogiannis, 2013 winner for ARCA's Award for Art Protection and Security, speaks out against metal detecting in treasure hunting

Christos Tsirogiannis (Photo by DW, J. Di Marino)
Christos Tsirogiannis, winner of the 2013 ARCA Award for Art Protection and Security, weighs in on the subject of metal detecting enthusiasts in "UK treasure hunters make archaeologists see red" for Deutsche Welle (DW):
It's estimated that there are now more than 10,000 metal detector users in England and Wales alone. They've been making an impact. In 2011, close to a million artifacts were found by hobbyists. Nearly 1,000 of those could be classed as treasure - precious metals discovered by metal detector users. 
No harm done? 
But not everyone is pleased. Archaeologist and illicit antiquities researcher at Cambridge University, Christos Tsirogiannis, is one of those concerned. He says the amateur archeologists are damaging important sites. 
"Every object has an amazing historical value, especially when it's found in its actual and original archeological context," Christos Tsirogiannis explains. "If something is extracted violently and by an uneducated, non-specialist person from its original context, this cannot be reconstructed."
Mr. Tsirogiannis is quoted by DW as recommending the banning of all metal detectors:
"I'm sure that there are several people who are operating metal detectors and they do it just for excitement," he says. "But even in a legal way, the destruction that they generate is really big, and it is an unfortunate phenomenon that it is still legal."
Christos Tsirogiannis (Photo by DW, J. Di Marino)
Christos Tsirogiannis, winner of the 2013 ARCA Award for Art Protection and Security, weighs in on the subject of metal detecting enthusiasts in "UK treasure hunters make archaeologists see red" for Deutsche Welle (DW):
It's estimated that there are now more than 10,000 metal detector users in England and Wales alone. They've been making an impact. In 2011, close to a million artifacts were found by hobbyists. Nearly 1,000 of those could be classed as treasure - precious metals discovered by metal detector users. 
No harm done? 
But not everyone is pleased. Archaeologist and illicit antiquities researcher at Cambridge University, Christos Tsirogiannis, is one of those concerned. He says the amateur archeologists are damaging important sites. 
"Every object has an amazing historical value, especially when it's found in its actual and original archeological context," Christos Tsirogiannis explains. "If something is extracted violently and by an uneducated, non-specialist person from its original context, this cannot be reconstructed."
Mr. Tsirogiannis is quoted by DW as recommending the banning of all metal detectors:
"I'm sure that there are several people who are operating metal detectors and they do it just for excitement," he says. "But even in a legal way, the destruction that they generate is really big, and it is an unfortunate phenomenon that it is still legal."
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Report from ARCA in Amelia: More on the Pompeii field class, Napoli, and courses by Valerie Higgins and Dick Ellis

Painting of Amelia
 by A. M. C Knutsson
by Sophia Kisielewska, ARCA Intern

Extremely early on Sunday morning a large proportion of the ARCA class gathered outside the town walls of Amelia to wait for the bus that would take them to Pompeii. 

Other members of the class had taken a train two days earlier to enjoy at the great sights of Naples. High on everyone’s agenda seemed to be the Museo Archeologico Nazionale di Napoli; Caravaggio’s spectacular ‘The Seven Acts of Mercy’ at the church of Pio Monte della Misericordia; Napoli Sottoterranea (underground); and above all a pizza from one of the three classic Neapolitan pizzerias: Da Michele, Di Matteo and Sorbillo.

The class caught up with these students at the gates of Pompeii at around 11 a.m. After a much needed cup of coffee, the reunited class entered the site and met up with Crispin Corrado, ARCA’s academic director and Adjunct Assistant Professor of Classical Archaeology at The University of California, Rome Study Center. Dr. Corrado led the students around the site, successfully keeping everyone distracted from the desert heat. She explained how the inhabitants of Pompeii had been living at the time of Mount Vesuvius’s eruption in 79 AD and the history of the site since its discovery in 1748 by Spanish Engineer Rocque Joaquin de Alcubierre. Later in the afternoon we visited the villa at Oplontis situated in the heart of the Mafia district, but a beautiful spot regardless. After this we all hopped back on the coach to return to Amelia. It was perhaps both the most beautiful and the most exhausting day yet.

Walking in Pompeii
Monday morning saw the arrival of the first British lecturer of the week, Valerie Higgins, the Associate Professor and Chair of Archaeology and Classics at the American University of Rome. Dr. Higgins teaches courses in Roman archaeology and history; ancient art; archaeological method and theory; funerary archaeology and human remains. Her personal research focuses on the role of archaeology in contemporary society covering aspects such as trafficking of antiquities; contemporary approaches to human remains; heritage in conflict situations; and the role of heritage in contemporary Rome. Her ARCA course, Antiquities and Identity, touched upon many of these topics. The primary focus of Day One was to assess how far the current issues of repatriation and disputed legal ownership are the result of the archaeology practices of the past and how contemporary attitudes to heritage are consequently changing, bringing new challenges to the field. To fully understand this problem, we were required to know a little more about the history of the field and this began with a lecture on the growth of antiquarianism and collecting from the time of Raphael. 

With a limited number of archeology trained students this summer, everyone was captivated by Day Two’s lectures in which Dr. Higgins explained the different archeological methods. A run through of the controversial debates that surround archeology in today’s climate was the heart of discussions during Wednesday’s lectures.

Mark & Laura renew vows at Palazzo Farrattini
Midway through this intense series of lectures, ARCA students and staff joined their classmate Mark and his wife of five years, Laura, at a ceremony to renew their marital vows at sunset in the beautiful garden at Palazzo Farrattini. It was a fantastic event and a welcome opportunity to relax and forget the murky world of art crime.

After lunch on Wednesday, Richard "Dick" Ellis, founder of Scotland Yard’s Art and Antiquities Squad and current Director of Art Management Group, began the last course of the program, Art Policing and Investigation. Mr. Ellis brings an unparalleled level of expertise and field experience to the ARCA classroom. In his first class, Mr. Ellis directed the non-law enforcement figures in the room through the structure of police services around the world and their differing contributions towards the protection and recovery of stolen art.


The following two mornings, through a series of case studies, often ones that Mr. Ellis was closely involved in, the class learned the common reasons why art is targeted by criminals. We also understood, through such case studies, how large a role the global art market plays in aiding these criminals. The myth that art is stolen by the order of Thomas Crown-figures was immediately dismissed, and any sense of glamour evaporated as we were instantly made aware of the rather more sinister figures that govern the illicit art trade.
Painting of Amelia
 by A. M. C Knutsson
by Sophia Kisielewska, ARCA Intern

Extremely early on Sunday morning a large proportion of the ARCA class gathered outside the town walls of Amelia to wait for the bus that would take them to Pompeii. 

Other members of the class had taken a train two days earlier to enjoy at the great sights of Naples. High on everyone’s agenda seemed to be the Museo Archeologico Nazionale di Napoli; Caravaggio’s spectacular ‘The Seven Acts of Mercy’ at the church of Pio Monte della Misericordia; Napoli Sottoterranea (underground); and above all a pizza from one of the three classic Neapolitan pizzerias: Da Michele, Di Matteo and Sorbillo.

The class caught up with these students at the gates of Pompeii at around 11 a.m. After a much needed cup of coffee, the reunited class entered the site and met up with Crispin Corrado, ARCA’s academic director and Adjunct Assistant Professor of Classical Archaeology at The University of California, Rome Study Center. Dr. Corrado led the students around the site, successfully keeping everyone distracted from the desert heat. She explained how the inhabitants of Pompeii had been living at the time of Mount Vesuvius’s eruption in 79 AD and the history of the site since its discovery in 1748 by Spanish Engineer Rocque Joaquin de Alcubierre. Later in the afternoon we visited the villa at Oplontis situated in the heart of the Mafia district, but a beautiful spot regardless. After this we all hopped back on the coach to return to Amelia. It was perhaps both the most beautiful and the most exhausting day yet.

Walking in Pompeii
Monday morning saw the arrival of the first British lecturer of the week, Valerie Higgins, the Associate Professor and Chair of Archaeology and Classics at the American University of Rome. Dr. Higgins teaches courses in Roman archaeology and history; ancient art; archaeological method and theory; funerary archaeology and human remains. Her personal research focuses on the role of archaeology in contemporary society covering aspects such as trafficking of antiquities; contemporary approaches to human remains; heritage in conflict situations; and the role of heritage in contemporary Rome. Her ARCA course, Antiquities and Identity, touched upon many of these topics. The primary focus of Day One was to assess how far the current issues of repatriation and disputed legal ownership are the result of the archaeology practices of the past and how contemporary attitudes to heritage are consequently changing, bringing new challenges to the field. To fully understand this problem, we were required to know a little more about the history of the field and this began with a lecture on the growth of antiquarianism and collecting from the time of Raphael. 

With a limited number of archeology trained students this summer, everyone was captivated by Day Two’s lectures in which Dr. Higgins explained the different archeological methods. A run through of the controversial debates that surround archeology in today’s climate was the heart of discussions during Wednesday’s lectures.

Mark & Laura renew vows at Palazzo Farrattini
Midway through this intense series of lectures, ARCA students and staff joined their classmate Mark and his wife of five years, Laura, at a ceremony to renew their marital vows at sunset in the beautiful garden at Palazzo Farrattini. It was a fantastic event and a welcome opportunity to relax and forget the murky world of art crime.

After lunch on Wednesday, Richard "Dick" Ellis, founder of Scotland Yard’s Art and Antiquities Squad and current Director of Art Management Group, began the last course of the program, Art Policing and Investigation. Mr. Ellis brings an unparalleled level of expertise and field experience to the ARCA classroom. In his first class, Mr. Ellis directed the non-law enforcement figures in the room through the structure of police services around the world and their differing contributions towards the protection and recovery of stolen art.


The following two mornings, through a series of case studies, often ones that Mr. Ellis was closely involved in, the class learned the common reasons why art is targeted by criminals. We also understood, through such case studies, how large a role the global art market plays in aiding these criminals. The myth that art is stolen by the order of Thomas Crown-figures was immediately dismissed, and any sense of glamour evaporated as we were instantly made aware of the rather more sinister figures that govern the illicit art trade.
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Part II of Dr. Tom Flynn's Interview with Georges Okello Abungu at Forum d'Avignon


TF — If the original acquisition involved intense violence or things were taken as a part of the subjugation of another culture — as was the case with Benin in 1897 — is that not a justification for thinking again about those objects?

GA — The Benin question is very complex. The first thing we need to accept about the museums that own those Benin collections is to come out and say: ‘Yes, we know these things were taken under those circumstances; we know the Benin kingdom, the Benin royal family, they still exist even if they are not as powerful as they were; we know there are contestations, we know there are claims’. How are we going to satisfy this after all the changes that have taken place? Even if you took it back, who are you going to give it to? Are you going to give it back to the kings? Are you going to give it back to the Nigerian government? Who are you going to return it to? These are issues that need to be discussed. They have been through so many hands, how are we going to trace them back? But these questions do not give you immunity against discussion. You cannot even talk about compensation because these things were done in the late nineteenth century. It was an attack, it was looting, it has ended up in some of these museums. If you measure them even in terms of financial economic benefits to the Benin people, how much is it? In some instances it may not apply because, as others argue, even if it were compensation, who would it go back to? Will it go back to the community, for who are the community? Will it go back to the royalty, for who are the royalty? Will it go back to the government and how will it trickle down there? So the issue is that we must engage in this. We cannot run away by claiming that we are a superior status or that we don’t want to talk. If we can start to engage in a discussion we will probably come to an understanding whereby source communities will be saying, ‘Now we understand. This case is so complex, that this heritage is better preserved where it is’. But if we do not engage and discuss with the [source communities], this problem will continue to be there, because there are people also who are making money out of this. There are NGOs who are paying so that they are in business, there are community members for whom it is a business to continue to agitate for return. There are also people who are genuine, who feel they have a genuine case that they need to be able to discuss and agree on. So at the end of the day I think sitting down, talking, negotiating, compromising and agreeing — ‘Ok, time has passed, you have had this. We are transferring it in good will, on a permanent loan. Have them because you have recognised that ideally these should have belonged to us.’ That is very simple because mentally and psychologically it also helps the community. They know you have reached a compromise, that their ownership has been accepted, symbolically, but physically things remain in the custody of the institution that now owns it on behalf of the world. But you see this is what we have never reached because most of the big institutions think that once they accept that, there will be another big legal challenge, you know, ‘OK, now you have accepted it, now we want it back.’ But if it is in good faith and negotiated properly, this issue of the flood of returns will disappear. I don’t think this is something that will last forever, but it is energized by the fact that big institutions refuse to negotiate and refuse to accept responsibility even where they have been wrong. You cannot win without dialogue, especially in terms of heritage because people feel very attached to it at times and emotional about it.

TF — Where do you stand on partage? As an archaeologist, is it not a way of enabling archaeology to continue to take place, for countries to collaborate on unearthing things and sharing them when they’ve found them? Or do you think anything that is dug up in a country should stay in that country?

GA — That is a very difficult question because we have had some very bad experiences. For years I personally have resisted the issue of sharing when it comes to commercial activities and this applies much more to underwater archaeology which has been misused because you have private companies with suspect archaeologists, you know, so-called archaeologists, who go and negotiate with governments who don’t understand the Convention and then you have officials who are corrupted for a few hundred dollars and they give permits and people go into the sea within the territories and get this material. In Africa there is a lot of problems with that. And they say ‘Fifty percent’. But the fifty percent in the first place on what basis? These are cultural materials. Their fifty percent is going to be sold somewhere. And so you are turning archaeological material into a sellable material. The second things is that the people who are digging here are people from outside so when they say fifty percent, how do you know that is really fifty percent? In most cases when you are told fifty percent, it is actually one hundredth of what is found. I was educated at Cambridge and so I grew up in a culture of cooperation; to me cooperation in the archaeological field is very important. But that sharing was always in the sharing of the knowledge, not in the sharing of the material, unless there was a request from an institution for a particular object or set of objects where there were more and you did not need all of them. In that case it should not be a problem. But I think the idea of people ganging together to go the field to exploit it and then share it; to me that has a risk, the risk that it becomes more of an occupation than the pursuit of knowledge and the representation of humanity’s heritage. It becomes like treasure hunting and if we can do away with the treasure hunting out of it then I have no problem with governments or  institutions sharing knowledge and information and sharing material as long as it is clear and documented and everything is clean. But I’m saying there must be clear policies and regulations and arguments as to how this can be done. It must not be based on bureaucratic decisions taken at government levels with people who could be compromised by giving them a hundred dollars and then the fifty percent comes in.

The conclusion of this interview will be posted tomorrow.

TF — If the original acquisition involved intense violence or things were taken as a part of the subjugation of another culture — as was the case with Benin in 1897 — is that not a justification for thinking again about those objects?

GA — The Benin question is very complex. The first thing we need to accept about the museums that own those Benin collections is to come out and say: ‘Yes, we know these things were taken under those circumstances; we know the Benin kingdom, the Benin royal family, they still exist even if they are not as powerful as they were; we know there are contestations, we know there are claims’. How are we going to satisfy this after all the changes that have taken place? Even if you took it back, who are you going to give it to? Are you going to give it back to the kings? Are you going to give it back to the Nigerian government? Who are you going to return it to? These are issues that need to be discussed. They have been through so many hands, how are we going to trace them back? But these questions do not give you immunity against discussion. You cannot even talk about compensation because these things were done in the late nineteenth century. It was an attack, it was looting, it has ended up in some of these museums. If you measure them even in terms of financial economic benefits to the Benin people, how much is it? In some instances it may not apply because, as others argue, even if it were compensation, who would it go back to? Will it go back to the community, for who are the community? Will it go back to the royalty, for who are the royalty? Will it go back to the government and how will it trickle down there? So the issue is that we must engage in this. We cannot run away by claiming that we are a superior status or that we don’t want to talk. If we can start to engage in a discussion we will probably come to an understanding whereby source communities will be saying, ‘Now we understand. This case is so complex, that this heritage is better preserved where it is’. But if we do not engage and discuss with the [source communities], this problem will continue to be there, because there are people also who are making money out of this. There are NGOs who are paying so that they are in business, there are community members for whom it is a business to continue to agitate for return. There are also people who are genuine, who feel they have a genuine case that they need to be able to discuss and agree on. So at the end of the day I think sitting down, talking, negotiating, compromising and agreeing — ‘Ok, time has passed, you have had this. We are transferring it in good will, on a permanent loan. Have them because you have recognised that ideally these should have belonged to us.’ That is very simple because mentally and psychologically it also helps the community. They know you have reached a compromise, that their ownership has been accepted, symbolically, but physically things remain in the custody of the institution that now owns it on behalf of the world. But you see this is what we have never reached because most of the big institutions think that once they accept that, there will be another big legal challenge, you know, ‘OK, now you have accepted it, now we want it back.’ But if it is in good faith and negotiated properly, this issue of the flood of returns will disappear. I don’t think this is something that will last forever, but it is energized by the fact that big institutions refuse to negotiate and refuse to accept responsibility even where they have been wrong. You cannot win without dialogue, especially in terms of heritage because people feel very attached to it at times and emotional about it.

TF — Where do you stand on partage? As an archaeologist, is it not a way of enabling archaeology to continue to take place, for countries to collaborate on unearthing things and sharing them when they’ve found them? Or do you think anything that is dug up in a country should stay in that country?

GA — That is a very difficult question because we have had some very bad experiences. For years I personally have resisted the issue of sharing when it comes to commercial activities and this applies much more to underwater archaeology which has been misused because you have private companies with suspect archaeologists, you know, so-called archaeologists, who go and negotiate with governments who don’t understand the Convention and then you have officials who are corrupted for a few hundred dollars and they give permits and people go into the sea within the territories and get this material. In Africa there is a lot of problems with that. And they say ‘Fifty percent’. But the fifty percent in the first place on what basis? These are cultural materials. Their fifty percent is going to be sold somewhere. And so you are turning archaeological material into a sellable material. The second things is that the people who are digging here are people from outside so when they say fifty percent, how do you know that is really fifty percent? In most cases when you are told fifty percent, it is actually one hundredth of what is found. I was educated at Cambridge and so I grew up in a culture of cooperation; to me cooperation in the archaeological field is very important. But that sharing was always in the sharing of the knowledge, not in the sharing of the material, unless there was a request from an institution for a particular object or set of objects where there were more and you did not need all of them. In that case it should not be a problem. But I think the idea of people ganging together to go the field to exploit it and then share it; to me that has a risk, the risk that it becomes more of an occupation than the pursuit of knowledge and the representation of humanity’s heritage. It becomes like treasure hunting and if we can do away with the treasure hunting out of it then I have no problem with governments or  institutions sharing knowledge and information and sharing material as long as it is clear and documented and everything is clean. But I’m saying there must be clear policies and regulations and arguments as to how this can be done. It must not be based on bureaucratic decisions taken at government levels with people who could be compromised by giving them a hundred dollars and then the fifty percent comes in.

The conclusion of this interview will be posted tomorrow.
reade more... Résuméabuiyad