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Showing posts with label Israel. Show all posts
Showing posts with label Israel. Show all posts

Northern Israeli archaeological site unveils granite fragment of Egyptian sphinx -- ancient plunder or gift?

Archaeologist Shlomit Blecher discovered part of a granite Egyptian sphynx in Israel in August 2012, raising the question of plunder or gift?

Dr. Blecher, who manages the The Selz Foundation Hazor Excavations in Memory of Yigael Yadin, works at Tel Hazor, the ancient Canaanite and Israelite city located in modern Northern Israel.

Here's a YouTube Video from the AFP news agency showing the site and the size of the fragment in comparison to the person holding the granite claws, forearms and hieroglyphics.
Its discovery also marks the first time ever that researchers have found a statue dedicated to Egyptian ruler Mycerinus who ruled circa 2,500 BC and was builder of one of the three Giza pyramids, an expert said.
How did this object travel north? The AFP offers options:
How, when and why it reached Tel Hazor remains a mystery.
"That it arrived in the days of Mycerinus himself is unlikely, since there were absolutely no relations between Egypt and this part of the world then," said Ben-Tor.
"Egypt maintained relations with Lebanon, especially via the ancient port of Byblos, to import cedar wood via the Mediterranean, so they skipped" today's northern Israel, he said.
Another option is that the statue was part of the plunders of the Canaanites, who in the late 17th and early 16th century BC ruled lower Egypt, the expert said.
"Egyptian records tell us that those foreign rulers... plundered and desecrated the local temples and did all kinds of terrible things, and it is possible that some of this looting included a statue like this one".
But to Ben-Tor the most likely way the sphinx reached Tel Hazor is in the form of a gift sent by a later Egyptian ruler.
"The third option is that it arrived in Hazor some time after the New Kingdom started in 1,550 BC, during which Egypt ruled Canaan, and maintained close relations with the local rulers, who were left on their thrones," he said.
"In such a case it's possible the statue was sent by the Egyptian ruler to king of Hazor, the most important ruler in this region." 
Archaeologist Shlomit Blecher discovered part of a granite Egyptian sphynx in Israel in August 2012, raising the question of plunder or gift?

Dr. Blecher, who manages the The Selz Foundation Hazor Excavations in Memory of Yigael Yadin, works at Tel Hazor, the ancient Canaanite and Israelite city located in modern Northern Israel.

Here's a YouTube Video from the AFP news agency showing the site and the size of the fragment in comparison to the person holding the granite claws, forearms and hieroglyphics.
Its discovery also marks the first time ever that researchers have found a statue dedicated to Egyptian ruler Mycerinus who ruled circa 2,500 BC and was builder of one of the three Giza pyramids, an expert said.
How did this object travel north? The AFP offers options:
How, when and why it reached Tel Hazor remains a mystery.
"That it arrived in the days of Mycerinus himself is unlikely, since there were absolutely no relations between Egypt and this part of the world then," said Ben-Tor.
"Egypt maintained relations with Lebanon, especially via the ancient port of Byblos, to import cedar wood via the Mediterranean, so they skipped" today's northern Israel, he said.
Another option is that the statue was part of the plunders of the Canaanites, who in the late 17th and early 16th century BC ruled lower Egypt, the expert said.
"Egyptian records tell us that those foreign rulers... plundered and desecrated the local temples and did all kinds of terrible things, and it is possible that some of this looting included a statue like this one".
But to Ben-Tor the most likely way the sphinx reached Tel Hazor is in the form of a gift sent by a later Egyptian ruler.
"The third option is that it arrived in Hazor some time after the New Kingdom started in 1,550 BC, during which Egypt ruled Canaan, and maintained close relations with the local rulers, who were left on their thrones," he said.
"In such a case it's possible the statue was sent by the Egyptian ruler to king of Hazor, the most important ruler in this region." 
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The Journal of Art Crime, Spring/Summer 2012: Aleksandra Sheftel on "Looting History: An Analysis of the Illicit Antiquities Trade in Israel"

Aleksandra Sheftel's article on "Looting History: An Analysis of the Illicit Antiquities Trade in Israel" is published in the Spring/Summer 2012 electronic issue of the Journal of Art Crime.
Abstract: The state of Israel has numerous historically and culturally significant archaeological sites. Some of these date back to as early as 8000-7000 B.C, and are important to three of the world’s great religious traditions (Judaism, Christianity, and Islam). Unfortunately, many of these sites are targeted by looters who illegally excavate the sites and, in doing so, erase history. This paper is an overview of the antiquities looting problem in Israel. It discusses Israel’s existing laws regarding the antiquities trade, describes the effects that Israel’s wars have had on the illicit antiquities trade, and the different motivations and attitudes of the looters in Israel. The paper also discusses the market players in this trade, analysing the roles the middlemen, the dealers, and the collectors play. It discusses who the looters are, why they engage in their illicit activities, and how they go about their business. The paper discusses ways in which the Israeli government has tried to stop the trade in illicit antiquities, and the debates that surround these and other proposed solutions. The paper concludes by analysing three alternative solutions that Israel could consider implementing in order to curb the looting.
Aleksandra Sheftel graduated “With Distinction” from the ARCA Masters Program in Art Crime and Cultural Heritage Protection in 2011.
Aleksandra Sheftel's article on "Looting History: An Analysis of the Illicit Antiquities Trade in Israel" is published in the Spring/Summer 2012 electronic issue of the Journal of Art Crime.
Abstract: The state of Israel has numerous historically and culturally significant archaeological sites. Some of these date back to as early as 8000-7000 B.C, and are important to three of the world’s great religious traditions (Judaism, Christianity, and Islam). Unfortunately, many of these sites are targeted by looters who illegally excavate the sites and, in doing so, erase history. This paper is an overview of the antiquities looting problem in Israel. It discusses Israel’s existing laws regarding the antiquities trade, describes the effects that Israel’s wars have had on the illicit antiquities trade, and the different motivations and attitudes of the looters in Israel. The paper also discusses the market players in this trade, analysing the roles the middlemen, the dealers, and the collectors play. It discusses who the looters are, why they engage in their illicit activities, and how they go about their business. The paper discusses ways in which the Israeli government has tried to stop the trade in illicit antiquities, and the debates that surround these and other proposed solutions. The paper concludes by analysing three alternative solutions that Israel could consider implementing in order to curb the looting.
Aleksandra Sheftel graduated “With Distinction” from the ARCA Masters Program in Art Crime and Cultural Heritage Protection in 2011.
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The Spring/Summer 2012 Issue of The Journal of Art Crime is now available to download by subscription

The PDF edition of the Spring/Summer 2012 issue of The Journal of Art Crime can now be downloaded by subscribers. This seventh issue is edited by Noah Charney and published by ARCA.
 
Academic articles: "Bordering on Alchemy: A Nation of Counterfeiters" by Stephen Mihm; "Daubertizing the Art Expert" by John Daab; "Looting History: An Analysis of the Illicit Antiquities Trade in Israel" by Aleksandra Sheftel; "The Beltracchi Affair: A Comment on the "Most Spectacular" German Art Forgery Case in Recent Times" by Duncan Chappell and Saskia Hufnagel; and "The Forger's Point of View" by Thierry Lenain.

Regular columns: Donn Zaretsky's Art Law and Policy on "When Photography Might be Illegal"; Ton Cremers on "Rise in Thefts from Museums: Due to Economic Crisis?"; David Gill's Context Matters on "Princeton and Recently Surfaced Antiquities"; Derek Fincham's Empty Frame on "Giorgio Vasari, Art Thief"; and Noah Charney's Lessons from the History of Art Crime on "Mark Landis: the Forger Who Has Yet to Commit a Crime".

Editorial Essays: Joshua Knelman on "Headache Art"; Noah Charney on "Appendix on Forensics of Forgery Investigation"; and Noah Charney on "Art Crime in North America".

Reviews: Stuart George reviews "Stealing Rembrandts: The Untold Stories of Notorious Art Heists" by Anthony M. Amore and Tom Mashberg; David Gill reviews "Museums Matter: In Praise of the Encyclopedic Museum" by James Cuno; Catherine Schofield Sezgin reviews "Hot Art: Chasing Thieves and Detectives Through the Secret World of Stolen Art" by Joshua Knelman; Noah Charney reviews "The Deceivers: Art Forgery and Identity in the Nineteenth Century" by Aviva Briefel; and John Kleberg reviews "Leonardo's Lost Princess" by Peter Silverman with Catherine Whitney.

Extras: Noah Charney's interviews with George H. O. Abungu; Ernst Schöller; Joris Kila and Karl von Habsburg; Ralph Frammolino and Jason Felch; Thierry Lenain; and a Q&A on "Art Crime in Canada".  

There is also a list of the 2012 ARCA Awards.

Here's the link to subscribe to the electronic edition of ARCA's Journal of Art Crime.
The PDF edition of the Spring/Summer 2012 issue of The Journal of Art Crime can now be downloaded by subscribers. This seventh issue is edited by Noah Charney and published by ARCA.
 
Academic articles: "Bordering on Alchemy: A Nation of Counterfeiters" by Stephen Mihm; "Daubertizing the Art Expert" by John Daab; "Looting History: An Analysis of the Illicit Antiquities Trade in Israel" by Aleksandra Sheftel; "The Beltracchi Affair: A Comment on the "Most Spectacular" German Art Forgery Case in Recent Times" by Duncan Chappell and Saskia Hufnagel; and "The Forger's Point of View" by Thierry Lenain.

Regular columns: Donn Zaretsky's Art Law and Policy on "When Photography Might be Illegal"; Ton Cremers on "Rise in Thefts from Museums: Due to Economic Crisis?"; David Gill's Context Matters on "Princeton and Recently Surfaced Antiquities"; Derek Fincham's Empty Frame on "Giorgio Vasari, Art Thief"; and Noah Charney's Lessons from the History of Art Crime on "Mark Landis: the Forger Who Has Yet to Commit a Crime".

Editorial Essays: Joshua Knelman on "Headache Art"; Noah Charney on "Appendix on Forensics of Forgery Investigation"; and Noah Charney on "Art Crime in North America".

Reviews: Stuart George reviews "Stealing Rembrandts: The Untold Stories of Notorious Art Heists" by Anthony M. Amore and Tom Mashberg; David Gill reviews "Museums Matter: In Praise of the Encyclopedic Museum" by James Cuno; Catherine Schofield Sezgin reviews "Hot Art: Chasing Thieves and Detectives Through the Secret World of Stolen Art" by Joshua Knelman; Noah Charney reviews "The Deceivers: Art Forgery and Identity in the Nineteenth Century" by Aviva Briefel; and John Kleberg reviews "Leonardo's Lost Princess" by Peter Silverman with Catherine Whitney.

Extras: Noah Charney's interviews with George H. O. Abungu; Ernst Schöller; Joris Kila and Karl von Habsburg; Ralph Frammolino and Jason Felch; Thierry Lenain; and a Q&A on "Art Crime in Canada".  

There is also a list of the 2012 ARCA Awards.

Here's the link to subscribe to the electronic edition of ARCA's Journal of Art Crime.
reade more... Résuméabuiyad