The conference's last panel: (left to right), Giulia Mezzi, Derek Fincham, Cynthia Roholt, and Carrie Johnson |
The last panel of ARCA's fifth annual conference on art crime (June 21-23, 2013), moderated by Professor Derek Fincham, featured presentations by students in cultural property and law.
This presentation aimed to outline the thought and philosophy behind the modern concept of cultural heritage protection in Italy -- both in legal terms but also in the broader sense of the monument's material preservation.
The first edicts concerning heritage protection appeared in the Papal States during the Early Renaissance. In a later stage, law shielding heritage from the damages of natural decay, war, plundering or illegal exportation became more sophisticated, especially during the 19th century with the historical processes of nation-formation, where monuments or works of art acquired the symbolic meaning of the country's Volksgeist. The fundamental ideas present in those pioneering decrees are reflected in the contemporary international legislation and to this regard, I attempt to highlight the growing awareness -- legal, social, and political -- of the value of cultural heritage that went beyond the territorial boundaries of the Italian peninsula.
Carrie Johnson, JD Candidate, South Texas College of Law, presented on "Cultural Property in Crisis: Whose Burden is it?". Ms. Johnson previously graduated from Texas A&M University with a Bachelor's degree in History and minors in Journalism and Anthropology.
Ms. Cynthia Roholt, JD Candidate, South Texas College of Law, presented on "Human Remains: Permission and Plastination."
The conference's last panel: (left to right), Giulia Mezzi, Derek Fincham, Cynthia Roholt, and Carrie Johnson |
The last panel of ARCA's fifth annual conference on art crime (June 21-23, 2013), moderated by Professor Derek Fincham, featured presentations by students in cultural property and law.
This presentation aimed to outline the thought and philosophy behind the modern concept of cultural heritage protection in Italy -- both in legal terms but also in the broader sense of the monument's material preservation.
The first edicts concerning heritage protection appeared in the Papal States during the Early Renaissance. In a later stage, law shielding heritage from the damages of natural decay, war, plundering or illegal exportation became more sophisticated, especially during the 19th century with the historical processes of nation-formation, where monuments or works of art acquired the symbolic meaning of the country's Volksgeist. The fundamental ideas present in those pioneering decrees are reflected in the contemporary international legislation and to this regard, I attempt to highlight the growing awareness -- legal, social, and political -- of the value of cultural heritage that went beyond the territorial boundaries of the Italian peninsula.
Carrie Johnson, JD Candidate, South Texas College of Law, presented on "Cultural Property in Crisis: Whose Burden is it?". Ms. Johnson previously graduated from Texas A&M University with a Bachelor's degree in History and minors in Journalism and Anthropology.
Ms. Cynthia Roholt, JD Candidate, South Texas College of Law, presented on "Human Remains: Permission and Plastination."
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