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History of Art Crime: ARCA Student A. M. C. Knutsson Writes on Book Thief Anders Burius and the Theft at the Swedish Royal Library

by A. M. C. Knutsson, ARCA Student 2013
 
Photo: Andrea Davis Kronlund and Jens Östman
http://www.wytflietatlas.com 
At 04.30 am on the 8th of December 2004, a top floor apartment in Central Stockholm explodes, injuring 11 people and forcing the evacuation of 44 others. Four days later the body of a man was found among the debris, along with a pro and con list of whether or not to stay alive. The man’s wrists had been slashed and the gas lead had been cut repeatedly; it remains uncertain whether Anders Burius was alive when his apartment exploded. Three days earlier Burius had been released from custody. 

Anders Burius had been the chief of the Swedish Royal Library’s Manuscript Department, and in charged of imposing increased safety measures following the thefts by renowned map-thief Peter Bellwood. Burius had also been stealing books from various libraries since 1986.

During the spring of 2004, the Royal Library personnel were looking for an 1850 map of the Mississippi. The online database REGINA still contained an entry indicating that the book would be in the library's possession, however it could not be located within the library. Following an inventory of the book stacks, it was revealed that more than 50 books had gone missing.  As the investigation wore on, Burius felt that it was only a matter of time before he would be exposed and he confessed to a colleague.

On the All Saints Eve, Burius sent a text message to a colleague, “Now I’m going into Bergsgatan 58 [the police station]”. At 4.40 pm, Burius was arrested for the thefts in the Royal Library. He was almost immediately dubbed "KB mannen" (the Royal Library man) by the media and his story spread through the news like wildfire. During his three weeks in custody, he kept writing lists for the police of all the books he had stolen. In total, Burius appears to have stolen 103 books whereof 58 where from the Royal Library. As the investigation dragged out, Burius was temporarily released.

At the time of the discovery of the thefts, Burius had systematically retrieved books from his work for a decade. He had, with his intimate knowledge of the library, been able to steal books and remove entries from the old card index in order to conceal his crimes.  However, over time, Burius had become less careful and started leaving catalogue traces behind. In addition to his meddling with the catalogues, Burius was also careful to remove identifying marks from the books. In the extreme case of Maximilianus Transylvanus' 1523 account of Magellan’s tour of the world, he had even cut the text-block out of its original binding and had it rebound in Germany in order to conceal its connection to the Royal Library. The book was later sold for €94,300.

After ‘cleaning’ the books, Burius approached dealers in Germany under the pseudonym Karl Fields, a nod to the Swedish poet Karlfeldt. The auction house Ketterer Kunst, Burius claimed, only required the seller to sign an assurance of ownership and made no effort to check the provenance of the works offered for sale. Ketterer Kunst maintains that they did nothing wrong in selling the books as Burius had confirmed that the books were his.

In June 2012, one of the most important stolen objects resurfaced in New York. The Cornelius Wytfliet atlas that contains one of the earliest maps of North America was offered for sale by W. Graham ArderIII. He in turn had purchased it in good faith from Sotheby’s in 2003 for $100,000; its current value was estimated at $450,000. Mr Arder returned the book to Sotheby’s who reimbursed him in full and later returned it to the Royal Library after negotiations. Whilst it is hoped that this find will encourage other books to resurface, most of these books have now been legally acquired by ‘good faith’ purchasers and it is uncertain whether the Royal Library will be able to recreate its marred collections.

Bibliography

http://www.herrick.com/siteFiles/News/B6C44B1FDFDEFECAFB7BCB94496A843D.pdf


Radio:

Tv-dramatisation:

Bibliotekstjuven (The Library Thief), originally aired January 2011
by A. M. C. Knutsson, ARCA Student 2013
 
Photo: Andrea Davis Kronlund and Jens Östman
http://www.wytflietatlas.com 
At 04.30 am on the 8th of December 2004, a top floor apartment in Central Stockholm explodes, injuring 11 people and forcing the evacuation of 44 others. Four days later the body of a man was found among the debris, along with a pro and con list of whether or not to stay alive. The man’s wrists had been slashed and the gas lead had been cut repeatedly; it remains uncertain whether Anders Burius was alive when his apartment exploded. Three days earlier Burius had been released from custody. 

Anders Burius had been the chief of the Swedish Royal Library’s Manuscript Department, and in charged of imposing increased safety measures following the thefts by renowned map-thief Peter Bellwood. Burius had also been stealing books from various libraries since 1986.

During the spring of 2004, the Royal Library personnel were looking for an 1850 map of the Mississippi. The online database REGINA still contained an entry indicating that the book would be in the library's possession, however it could not be located within the library. Following an inventory of the book stacks, it was revealed that more than 50 books had gone missing.  As the investigation wore on, Burius felt that it was only a matter of time before he would be exposed and he confessed to a colleague.

On the All Saints Eve, Burius sent a text message to a colleague, “Now I’m going into Bergsgatan 58 [the police station]”. At 4.40 pm, Burius was arrested for the thefts in the Royal Library. He was almost immediately dubbed "KB mannen" (the Royal Library man) by the media and his story spread through the news like wildfire. During his three weeks in custody, he kept writing lists for the police of all the books he had stolen. In total, Burius appears to have stolen 103 books whereof 58 where from the Royal Library. As the investigation dragged out, Burius was temporarily released.

At the time of the discovery of the thefts, Burius had systematically retrieved books from his work for a decade. He had, with his intimate knowledge of the library, been able to steal books and remove entries from the old card index in order to conceal his crimes.  However, over time, Burius had become less careful and started leaving catalogue traces behind. In addition to his meddling with the catalogues, Burius was also careful to remove identifying marks from the books. In the extreme case of Maximilianus Transylvanus' 1523 account of Magellan’s tour of the world, he had even cut the text-block out of its original binding and had it rebound in Germany in order to conceal its connection to the Royal Library. The book was later sold for €94,300.

After ‘cleaning’ the books, Burius approached dealers in Germany under the pseudonym Karl Fields, a nod to the Swedish poet Karlfeldt. The auction house Ketterer Kunst, Burius claimed, only required the seller to sign an assurance of ownership and made no effort to check the provenance of the works offered for sale. Ketterer Kunst maintains that they did nothing wrong in selling the books as Burius had confirmed that the books were his.

In June 2012, one of the most important stolen objects resurfaced in New York. The Cornelius Wytfliet atlas that contains one of the earliest maps of North America was offered for sale by W. Graham ArderIII. He in turn had purchased it in good faith from Sotheby’s in 2003 for $100,000; its current value was estimated at $450,000. Mr Arder returned the book to Sotheby’s who reimbursed him in full and later returned it to the Royal Library after negotiations. Whilst it is hoped that this find will encourage other books to resurface, most of these books have now been legally acquired by ‘good faith’ purchasers and it is uncertain whether the Royal Library will be able to recreate its marred collections.

Bibliography

http://www.herrick.com/siteFiles/News/B6C44B1FDFDEFECAFB7BCB94496A843D.pdf


Radio:

Tv-dramatisation:

Bibliotekstjuven (The Library Thief), originally aired January 2011
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ARCA Alum Marc Balcells Speaks with artroop.com about the beauty of theories and art crime

Here's a link to an interview published June 27th with criminologist Marc Balcells (ARCA Alum '11) on the blog, artroop.com. It's in Spanish but there's an option to click on Google Translate for those who need assistance in comprehending the text. Mr. Balcells is a Fulbright scholar, Spanish criminologist, and a criminal lawyer. He currently lives in New York where he is completing a PhD in Criminal Justice.

In this post on artroop.com, Mr. Balcells discusses the beauty of theory and his approach as a criminologist is in examining the motives of art thieves which may lead to prevention of art crimes.

Mr. Balcells is also co-editor of The Journal of Art Crime, a publication of ARCA.
Here's a link to an interview published June 27th with criminologist Marc Balcells (ARCA Alum '11) on the blog, artroop.com. It's in Spanish but there's an option to click on Google Translate for those who need assistance in comprehending the text. Mr. Balcells is a Fulbright scholar, Spanish criminologist, and a criminal lawyer. He currently lives in New York where he is completing a PhD in Criminal Justice.

In this post on artroop.com, Mr. Balcells discusses the beauty of theory and his approach as a criminologist is in examining the motives of art thieves which may lead to prevention of art crimes.

Mr. Balcells is also co-editor of The Journal of Art Crime, a publication of ARCA.
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Material Inspiration: Gareth Mason @ Mindy Solomon Gallery.


The inescapable relevance of materials is one of the great issues of art. Materials, in turn, are related to craft and skills. Many artists have railed against this material boundary, on and off, for a long time. Others take alternate approaches, all between stark conceptualism and, say, something like the skilled, over the superb, over the top Baroque work of Giovanni Lorenzo Bernini.

      [All work shown is by Gareth Mason]







Gareth Mason is addressing this in his own way, by utilizing the materials, intentionally infusing them with an ontological narrative about the work. This also involves conceptual issues, including much questioning of the signifiers of ceramic work. During our personal talk, and later in his gallery talk, Mason mentions that he consciously and deliberately kept the traditional (going back to the earliest ceramics) form of the jar. The earliest jars were functional, of course, and derived from woven baskets which preceded them.








Mason is using that form as a kind of baseline upon which he explores, questions, and states issues within the medium. The results are dependent on viewing distance. From afar, they look almost "normal" and as one approaches them, they configure themselves into the complex objects they are. Sometimes self-contradictory, others synergizing, the viewer's expectations of  what ceramics look like are challenged. These things may be perceived as a kind of dissonance at first, then as they sink in, immediately prompt one's mind not only into accepting the work, but opening up to others like it, and to thinking of ceramics in general in a plurality of ways.

Congratulations to the Gareth Mason and Mindy Solomon for a good show.


Jennifer Kosharek (L.) and Mindy Solomon (R.)
 
Above, Mindy Solomon and Jennifer Kosharek, two of the top gallerists in the City of Saint Petersburg.











The inescapable relevance of materials is one of the great issues of art. Materials, in turn, are related to craft and skills. Many artists have railed against this material boundary, on and off, for a long time. Others take alternate approaches, all between stark conceptualism and, say, something like the skilled, over the superb, over the top Baroque work of Giovanni Lorenzo Bernini.

      [All work shown is by Gareth Mason]







Gareth Mason is addressing this in his own way, by utilizing the materials, intentionally infusing them with an ontological narrative about the work. This also involves conceptual issues, including much questioning of the signifiers of ceramic work. During our personal talk, and later in his gallery talk, Mason mentions that he consciously and deliberately kept the traditional (going back to the earliest ceramics) form of the jar. The earliest jars were functional, of course, and derived from woven baskets which preceded them.








Mason is using that form as a kind of baseline upon which he explores, questions, and states issues within the medium. The results are dependent on viewing distance. From afar, they look almost "normal" and as one approaches them, they configure themselves into the complex objects they are. Sometimes self-contradictory, others synergizing, the viewer's expectations of  what ceramics look like are challenged. These things may be perceived as a kind of dissonance at first, then as they sink in, immediately prompt one's mind not only into accepting the work, but opening up to others like it, and to thinking of ceramics in general in a plurality of ways.

Congratulations to the Gareth Mason and Mindy Solomon for a good show.


Jennifer Kosharek (L.) and Mindy Solomon (R.)
 
Above, Mindy Solomon and Jennifer Kosharek, two of the top gallerists in the City of Saint Petersburg.










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Seen: Political Collage

Odd things happen on my beat as an arts blogger, many that cannot be told here. A friend alerted me that he had seen this political collage by an artist that wanted to remain anonymous. An appointment was made and here are a few pictures from that showing...


The work is about 2.5 x 6.5 ft, paper collaged onto cardboard, and yes, it is for sale. If interested, let me know. The artist wants to retain anonymity.

Detail.


Detail.

The artist is a member of Anonymous.


 
Special note of thanks to the artist and to N. for bringing this to my attention.

--- Luis
Odd things happen on my beat as an arts blogger, many that cannot be told here. A friend alerted me that he had seen this political collage by an artist that wanted to remain anonymous. An appointment was made and here are a few pictures from that showing...


The work is about 2.5 x 6.5 ft, paper collaged onto cardboard, and yes, it is for sale. If interested, let me know. The artist wants to retain anonymity.

Detail.


Detail.

The artist is a member of Anonymous.


 
Special note of thanks to the artist and to N. for bringing this to my attention.

--- Luis
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Paper Stretchers (fed up with gum tape? there is a quicker way)


Have you ever been a bit exasperated at trying to stretch your own paper. I recently decided to stretch some paper as I am getting back into painting Water Colours, but I discovered that the gum tape I had stored away had gotten wet at some point and the gum paper was all stuck together! I started thinking that surely there must be an easier way to stretch paper without using the gum tape..... read more 


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Check out the New Competition
deadline for entries 26th July 2013


New sign up to our subscribers list
and get all the latest updates, see link top left.

New Article 


Paper Stretchers (fed up with gum tape? there is a quicker way)


Have you ever been a bit exasperated at trying to stretch your own paper. I recently decided to stretch some paper as I am getting back into painting Water Colours, but I discovered that the gum tape I had stored away had gotten wet at some point and the gum paper was all stuck together! I started thinking that surely there must be an easier way to stretch paper without using the gum tape..... read more 


Have you got your Blog listed here yet ? 

NEW 

We will now be including your personal Fine Art Photography/Digital Blogs, Sculpture Blogs, Illustration Blogs,Graphic Design Blogs and Craft Blogs. Please Read More here!

Get you blog listed, find out how here

'NEW' WRITE FOR US! WE ARE LOOKING FOR ARTICLES!

FIND OUT MORE HERE: Write for Us

TO LOOK AT THE LIST OF ARTISTS BLOGS LISTED ALPHABETICALY

CLICK THIS LINK



or see below










































Blogs Beginning with the letter U






Blogs Beginning with the letter X


Blogs Beginning with the letter Y


Blogs Beginning with the letter Z

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