by Catherine Schofield Sezgin, ARCA blog Editor
Raintree, an imprint of Capstone Global Library out of Chicago, has published a book in its series on Treasure Hunters introducing the subject of art theft to middle-school readers.
In "Great Art Thefts", Author Charlotte Guillain highlights the 1911 theft of the Mona Lisa; the 1990 burglary of the Isabella Stewart Gardner Museum; the theft of Edvard Munch's The Scream in 1994; and the New Year's Eve theft in 2000 of Cézanne's View of Auvers-sur-Oise fron the Ashmolean Museum in Oxford. The book also opens the discussion on why art is targeted by thieves and what may happen to stolen works. A timeline, glossary of terms, and websites for additional information are provided along with an index.
Special appearances include Anthony Amore, director of security at the Isabella Stewart Gardner Museum; Charley Hill, 'ex-police officer who tracks down stolen art'; Alf Longhurst, museum and gallery security adviser; Superintendent John Carr of Oxford Police; Dr. Christopher Brown, director of the Ashmolean Museum; and Hugo Penning, head of security at the Ashmolean Museum. I had the pleasure of advising on early drafts -- relying upon my experience of introducing my own children to art and museums through the narratives of art thefts.
by Catherine Schofield Sezgin, ARCA blog Editor
Raintree, an imprint of Capstone Global Library out of Chicago, has published a book in its series on Treasure Hunters introducing the subject of art theft to middle-school readers.
In "Great Art Thefts", Author Charlotte Guillain highlights the 1911 theft of the Mona Lisa; the 1990 burglary of the Isabella Stewart Gardner Museum; the theft of Edvard Munch's The Scream in 1994; and the New Year's Eve theft in 2000 of Cézanne's View of Auvers-sur-Oise fron the Ashmolean Museum in Oxford. The book also opens the discussion on why art is targeted by thieves and what may happen to stolen works. A timeline, glossary of terms, and websites for additional information are provided along with an index.
Special appearances include Anthony Amore, director of security at the Isabella Stewart Gardner Museum; Charley Hill, 'ex-police officer who tracks down stolen art'; Alf Longhurst, museum and gallery security adviser; Superintendent John Carr of Oxford Police; Dr. Christopher Brown, director of the Ashmolean Museum; and Hugo Penning, head of security at the Ashmolean Museum. I had the pleasure of advising on early drafts -- relying upon my experience of introducing my own children to art and museums through the narratives of art thefts.
No comments:
Post a Comment